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Arturia Matrix-12 V2 v2.3.1.1784 CSE / v2.3.0.1391 [WiN, MacOSX]

Arturia Matrix-12 V2
WiN: Team V.R | 12 October 2018 | 59.28 MB
MAC: Team HEXWARS | 14 July 2018 | 263 MB
The massively powerful Oberheim Matrix-12 has been resurrected at last. Using our TAE™ modeling technology, we are able to recapture this beast of a synthesizer and bring it to you.

The Matrix 12 was the first programmable analog synthesizer that took the best features of a preset voice path and modular flexibility. This bold combination made it a force of nature and something that had not been seen before. It also had a 15 mode filter system that enabled it to have sounds that had never been heard before.

Making the model

Every point in the signal path is important when modeling the sound of such a revered instrument.
So to establish the proper foundation, we perfectly recreated the tonal characteristics of the original 2 oscillators and their waveforms in Matrix-12 V. And it was equally critical to capture every nuance of its 15 filter modes, so we kept at it until they had been modeled perfectly!

Another factor in defining the complex sound of the Matrix-12 was the amazing number of modulation sources and destinations it provided. This was a level of sophistication previously only available in a fully modular system.

So to complete the emulation we modeled these capabilities also, even surpassing them. With a nearly endless number of possible modulation routings in Matrix-12 V you can create sounds with highly organic qualities not found in other synthesizers.

50 shades of sound
A true chamelion of a synthesizer. With its 15 filter modes you can create everything you need from the thin and airy to the brash and bold.

The power of perfection

While the Matrix-12 was amazing in itself, we pushed it further by adding a new effects chain for further processing of the sound.
We also expanded the maximum number of modulation routings from 20 to 40, giving you even more creative freedom. Add to this the ability to control all the parameters via MIDI, and now you can do automations in a DAW or manually that could never be done before.

V 2.3.1

New Features
  • KeyLab MK2 Integration
  • Clicking on the preset browser "Clear All" button now scrolls back the result list to its top
  • Improvements
  • Reworked preset leveling and consistency
  • Effects default parameter values improvements


Bugfixes
  • Group is now saved in single preset
  • No more black GUIs when opening the plugin inside Analog Lab with a size of 90% and 100%
  • User MIDI configuration is now properly recalled when loaded from an external file
  • Fixed an issue where you had to click twice on the empty MIDI configuration to properly select it
  • Default MIDI configuration is now properly working
  • No more white flash when resizing our instruments inside macOS applications in AU
  • Various Komplete Kontrol / Maschine improvement
  • No more crash when a "Song Select" message is received
  • No more cracks and glitches appearing when modifying effects dry/wet parameters
  • User preset saving feature is now working properly
  • No more duplicated presets
  • Live 10 doesn't crash anymore when browsing preset from AU version
  • Resizing the plugin window don't open the export bank popup for some users anymore
  • No more crash when switching instruments on a track in FL Studio on macOS


New features
  • Redesigned Preset Browser interface
  • Added 50% zoom size
  • Added maximize height button


Bugfixes
  • Improved GUI integration in DAWs
  • Improved retina / multi-screen GUI support
  • Instruments user interfaces now open properly on case sensitive OS
  • It is now possible to process audio at different sample rates with RME Babyface audio interfaces
  • No more crash happens when deleting two tracks with the same instrument in a DAW
  • Sharp automations applied to on/off type parameters now work properly in AAX




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